"The only dependable thing about the future is uncertainty."

I am the beast I worship.

(Source: dancierthan4, via reeferwaffle)

cardiac-art:

“I Couldn’t Do A Thing For You" by Brandi Milne
hikristofferson:

A recent (updated) compilation of selected works from my Self Portraits (Girls With Their Phones) series that I did this year. I want to make a book, but not sure yet if I should wait to do a bunch more.  Also a “Dudes With Their Phones” series too, just to even it out!  xoxo  

hikristofferson:

A recent (updated) compilation of selected works from my Self Portraits (Girls With Their Phones) series that I did this year. I want to make a book, but not sure yet if I should wait to do a bunch more.  Also a “Dudes With Their Phones” series too, just to even it out!  xoxo  

(via houseon-fire)

(Source: junglerott, via monstercunt)

zimbofilms:

Rene Laloux’s Fantastic Planet (1973)

(via sweatydenim)

createandanimate:

theconstant-thedisconnect:


This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking. 

it’s seen as kinda lame to say Tarantino is your favourite movie maker nowadays but holy fuck no one else is making shit like this

who gives a fuck about lame? I do what I want.

createandanimate:

theconstant-thedisconnect:

This scene in Inglourious Bastards, this particular part, was so brilliantly written. The characters are playing a game where you sit in a circle and write a famous person’s name on a card, flip it over, pass the card to the person next to you and stick it to your head without looking. Then you ask everyone questions to figure out who it is. This man- a Nazi commander- asked “Am I American?” (no but..) “Have I visited America?” (yes) “Was my visit fruitious?” (no) “Did I go against my will?” (yes) “Am I from a place you’d call exotic?” (yes) “Am I from the jungle?” (yes) “Did I go by boat?” (yes) “And when I got there was I bound with chains and presented in front of a crowd?” (yes!) “Well then. I know who I am. An African slave. No? Oh then I’m King Kong.” — and in one instance the viewer realizes the metaphor which King Kong was to the African slave trade (a truly Tarantino way of inserting social awareness through dialogue spoken by social oppressors) as well as takes a moment of almost comic relief to a very strange middle ground since we see just how intelligent and foolproof this man is. This is good filmmaking. 

it’s seen as kinda lame to say Tarantino is your favourite movie maker nowadays but holy fuck no one else is making shit like this

who gives a fuck about lame? I do what I want.

(Source: silends)

(Source: allow-studio, via monstercunt)